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articles

Nuts and Bolts

Part 1: Consoles & Connections
Part 2: Outboard Signal Processing
Part 3 : Multitrack Recorders
Part 4: Microphones 1 - Transducer Designs
Part 5: Microphones 2 - Measuring Air Pressure and Air Velocity
Part 6: Microphones 3 - Specifications and Controls
Part 7: Equalization, Part 1
Part 8: Equalization, Part 2
Part 9: Compressors
Part 10: Mixing by the Numbers
Part 11: The Session - Preproduction & Live Recording
Part 12: The Multitrack Session
Part 13: The Delay, Part 1
Part 14: The Short Delay, Part 1: Untangling the Comb Filter
Part 15: The Short Delay, Part 1I: Flange and Chorus
Part 16: Pitch Shifting
Part 17: Reverb, Part 1: A Look Under the Hood
Part 18: Reverb, Part 2: Distilling the Options
Part 19: Reverb, Part 3: Reverb on the Edge
Part 20: Studio Documentation, Part 1: The Track Sheet
Part 21: Studio Documentation, Part 2: The Take Sheet, Setup Sheet & Recall Sheet
Part 22: Mis-applying Effects
Part 23: The Channel Strip: Purchase Priority
Part 24: Volume, Part 1: Fiddling with Faders