Our Studios
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Computer
Apple Macintosh: 2 x 3 GHz Quad Core Intel Xeon OS X 5.6
Console
Yamaha: DM2000
Delay, Reverberation and Effects
Digitech: RDS-8000 (2)
Eventide: H3000SE
Lexicon: LXP-1
Lexicon: PCM-80
Yamaha: SPX-1000
Digital Editing/Software
Apple: Logic Pro 8
BIAS: Peak Pro 6
Digidesign: Pro Tools 8
MOTU: Digital Performer 5
Native Instruments: Kontakt 3
Propellerhead: Reason 4.0.1
Equalization
Ashly: PQ-26
MIDI & Synthesis Devices
Korg : Triton
MOTU: MIDI Timepiece AV
Monitoring Device
Studio Comm: M68A
Monitors - Control Room
Auratone : 5-PSC (2)
Dynaudio: BM12S
Dynaudio: BM6A (5)
Yamaha: NS-10M (2)
Multitrack Recorders
Digidesign: HD 192 Digital I/O
Digidesign: HD 192 I/O
Otari: MTR-90 24 Track
Tascam: DA-88
Musical Instruments
Fender: Sidekick Reverb 20
Outboard Gain Devices
Alesis: 3630
Drawmer: DS-201 (2)
Tech 21: Sans Amp PSA-1
Universal Audio: LA-3A (2)
Urei: LA-12
Pre-Amp
Summit: M210 (2)
Stereo Recorders
HHB: CDR-830 Plus
Otari: MX-50
Studer: A-810
Synchronization
Apogee: Big Ben 192 kHz Master Digital Clock
Digidesign: Sync I/O
Timeline: microlynx
Video Devices
NEC : 42MX Plasma TV 42''
Panasonic: AG-DS550
Pioneer: RT-707
Sony: SLV-R1000
Patches, Ties and Customizations:
Stereo 2 mix is normalled to ALL stereo recorders
Busses 1-8 digitally feed Pro Tools and DA-88 inputs
Use Omnis 1-8 for analog bussing to all multitracks
DM2000 Console Normals:
| Layer 1: Channels 1-24 | Sony APR-24 Multitrack returns 1-24 |
| Layer 2: Channels 25-48 | Pro Tools returns 1-24 (digital via AES card, slots 1, 2 + 3) |
| Layer 3: Channels 49-56 | Pro Tools returns 1-8 (analog) |
| Layer 3: Channels 57-64 | DA-88 returns 1-8 (analog) |
| Layer 3: Channels 65-72 | DA-88 returns 1-8 DA-88 returns 1-8 (digital vis AES card, slot 6) |
| Layer 4: Channels 73-96 | Effects and tape monitor returns |
Studio LB Digital Interconnections Chart
Aux Bus Sends:
Use Auxes 11/12 for cue mix via studio out (normalled to phones amp)Note: Auxes are not normalled and must be routed via Omnis to be used as aux sends for effects.
Reverb 1 (Lexicon LXP-1) and Reverb 2 (Eventide H3000 SE) inputs are accessible via patchbay.
Tape Monitor Normals:
| 2Tr-A1 | Reverb 1 (Lexicon LXP-1): Channels 93+94, Layer 4 |
| 2Tr-A2 | VCR 2: Channels 95+96, Layer 4 |
| 2Tr-D1 | Console stereo via Digital Patchbay AES/EBU |
| 2Tr-D2 | Pro Tools via Digital Patchbay AES/EBU |
| 2Tr-D3 | Console stereo via Digital Patchbay S/PDIF |
Digital Patchbay:
| AES/EBU | DAT 1, DAT 2, Pro Tools, 2Tr-D1 IN, Stereo Bus OUT, CD-R IN and OUT | |
| S/PDIF | DAT 1, DA-88, Pro Tools, 2Tr-D3 IN, Stereo Bus OUT, PCM 80, CD-R OUT |
Mic Inputs:
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8 XLR mic inputs in the control room:
Note: Use control room mic inputs 1+2 for microphones that require phantom power. - Mic inputs 1+2 are connected to Summit mic pres in control room (return on patchbay)
- Mic inputs 3-8 return on patchbay as Mic Lines 3-8 (no phantom power)
- XLR tie lines from the entrance alcove (booth) to pigtails under the mic panel in control room
Audio Tie Lines:
- 32 TT tie lines to Studio L3
Video Tie Lines:
- SVGA input to TV (for laptops)
Surround Monitoring:
- Dynaudio Acoustics BM6A (5): LF, RF, LR, RR, C
- Dynaudio Acoustics BM12S: SW
Pro Tools 1-6:
- Studio Comm surround channel input A (discrete)
Elite DVD player:
- Studio Comm surround channel input B (discrete)
Department Of Music Production & Engineering | Copyright © 2007-2008 Berklee College of Music - all rights reserved | Tel: 617.747.2400
developed by Gjergji Theka '08 & David Bawiec '11