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Console

Yamaha: DM2000 (96 inputs, 12 auxes)

Monitors

Auratone : 5-PSC
Dynaudio: BM12S
Dynaudio: BM6A (5.1)
Yamaha: NS-10M

Multitrack Recorders

Digidesign: HD 192 Digital I/O (16 digital I/O)
Digidesign: HD 192 I/O (8 analog I/O, 8 digital I/O)
Otari: MTR-90 24 Track
Tascam: DA-88

Computer

Apple Macintosh: Mac Pro Dual 2.4Ghz Quad Core Intel Xeon 8Gb 1066Mhz DDR3 RAM

Digital Editing/Software

Apple: Logic Pro 9.1.8
Avid: Pro Tools 10.3.2 (HD3)
BIAS: Peak Studio 7.0.3
MOTU: Digital Performer 7.24
Native Instruments: Kontakt 5.1
Propellerhead: Reason 6.0.2

Two-tracks

HHB: CDR-830 Plus
Otari: MX-50
Pioneer: RT-707
Studer: A-810

Compressors/ Gates

Alesis: 3630

Compressors/ Gates (cont.)

Drawmer: DS-201 (2)
Tech 21: Sans Amp PSA-1
Universal Audio: LA-3A (2)
Urei: LA-12

EQs/ Pre-Amps

Ashly: PQ-26
Summit: M210 (2)

Effects

Digitech: RDS-8000 (2)
Eventide: H3000SE
Lexicon: LXP-1
Lexicon: PCM-80
Yamaha: SPX-1000

Amps/ Instruments

Korg : Triton

MIDI & Synthesis Devices

MOTU: MIDI Timepiece AV

Monitoring Device

Studio Comm: M68A

Synchronization

Apogee: Big Ben 192 kHz Master Digital Clock
Digidesign: Sync I/O
Timeline: microlynx

Video Devices

NEC : 42MX Plasma TV 42''
Panasonic: AG-DS550
Sony: SLV-R1000

Patches, Ties and Customizations:

Stereo 2 mix is normalled to ALL stereo recorders
Busses 1-8 digitally feed Pro Tools and DA-88 inputs
Use Omnis 1-8 for analog bussing to all multitracks


DM2000 Console Normals:

Layer 1: Channels 1-24 Sony APR-24 Multitrack returns 1-24
Layer 2: Channels 25-48 Pro Tools returns 1-24 (digital via AES card, slots 1, 2 + 3)
Layer 3: Channels 49-56 Pro Tools returns 1-8 (analog)
Layer 3: Channels 57-64 DA-88 returns 1-8 (analog)
Layer 3: Channels 65-72 DA-88 returns 1-8 DA-88 returns 1-8 (digital vis AES card, slot 6)
Layer 4: Channels 73-96 Effects and tape monitor returns

Studio LB Digital Interconnections Chart


Aux Bus Sends:

Use Auxes 11/12 for cue mix via studio out (normalled to phones amp)

Note: Auxes are not normalled and must be routed via Omnis to be used as aux sends for effects.

Reverb 1 (Lexicon LXP-1) and Reverb 2 (Eventide H3000 SE) inputs are accessible via patchbay.


Tape Monitor Normals:

2Tr-A1 Reverb 1 (Lexicon LXP-1): Channels 93+94, Layer 4
2Tr-A2 VCR 2: Channels 95+96, Layer 4
2Tr-D1 Console stereo via Digital Patchbay AES/EBU
2Tr-D2 Pro Tools via Digital Patchbay AES/EBU
2Tr-D3 Console stereo via Digital Patchbay S/PDIF


Digital Patchbay:

AES/EBU DAT 1, DAT 2, Pro Tools, 2Tr-D1 IN, Stereo Bus OUT, CD-R IN and OUT
S/PDIF DAT 1, DA-88, Pro Tools, 2Tr-D3 IN, Stereo Bus OUT, PCM 80, CD-R OUT

Mic Inputs:

  • 8 XLR mic inputs in the control room:
    Note: Use control room mic inputs 1+2 for microphones that require phantom power.
  • Mic inputs 1+2 are connected to Summit mic pres in control room (return on patchbay)
  • Mic inputs 3-8 return on patchbay as Mic Lines 3-8 (no phantom power)
  • XLR tie lines from the entrance alcove (booth) to pigtails under the mic panel in control room

Audio Tie Lines:

  • 32 TT tie lines to Studio L3

Video Tie Lines:

  • SVGA input to TV (for laptops)

Surround Monitoring:

  • Dynaudio Acoustics BM6A (5): LF, RF, LR, RR, C
  • Dynaudio Acoustics BM12S: SW
Pro Tools 1-6:
  • Studio Comm surround channel input A (discrete)
Elite DVD player:
  • Studio Comm surround channel input B (discrete)